rain in my heart documentary mark died

I feel it is hard to say if Watson exploited his subjects, because I dont know whatever deal they probably made behind the screen. Rain In My Heart is a weird documentary to watch for me because it is based very near my hometown. I think it is not proper for observational documentary, Watson deliberately shows his audience of certain moments to lead them into a certain emotion, which i think might be too subjective. I feel like Rain in My Heart must be a controversial documentray in terms of how dealing with the ethics in this film. The problem suddenly doesnt become the alcohol, but their mental state, which is something I learnt from the film. No one feels comfortable at the hospital anyway without a camera crew to be there watching your pain and destruction (essentially). However, as I mentioned previously, Watson neither encourages nor halts the emotional stress of the patients, he simply asks them questions about their mental state and at times even asks the patients if they would prefer the camera to be turned off. https://www.facebook.com/pages/Rain-In-My-Heart-Documentary-In-Memory-Of-My-Dad-Toni-And-Vanda/233416877232. There are so many implicit positives such as the awareness it gives people of the truth about alcoholism, its broadcasting the problems in society like a fresh scar, so audiences cant ignore or forget what they have learnt. Everyone is in a stunned, kind of awkward, silence and the game continues, as the players want to compete for the reward. I think the problems of ethics in filmmaking cannot be solved. Their harsh realities shocked me, however i found it extremely easy/automatic to empathise with them due to the methods of which Watson included, and the issues raised were heavily captivating. I do not think Paul Watson was exploitave in his filming. To judge whether or not Watson exploited the people in his film wed have to know exactly how hes profited from them. WebHere's one depicting true alcoholism in the UK, realism at its best. There were some scenes in which the people he was filming were obviously out of it and not at all in a healthy condition, physically or mentally. However, in my opinion, after he knocks over Vandas drink and clears it up for her, he says the phrase I had put so much money on you. This for me was an awkward introduction to have with a subject you are going to see go through an emotional and dark period. Critic Richard Brody (http://www.newyorker.com/culture/richard-brody/taking-it-off-for-the-holocaust) described it: Schindlers List features several of the most vulgar and repellent scenes ever filmed. There are a few scenes that stand out as being the most exploitative. MEDIA PLAYER. This specific example also leads me to point out how, by digging deep into these miserable cases, the audience would get a clear idea of WHO alcoholics really are and HOW they got involved with alcoholism. For Watson asks: What would you class as an alcoholic? Toni replies: Someone who cant go a day without a drink. Once this is said, Watson slowly zooms in on her face and responds: but you told me there are days where you cant go a day without a drink. Watsons response to Tonis statement could be stated as being overly dramatic for the audiences benefit, therefore, compiling with Ellis and most documentary critics argument that the director is always more concerned with how the potential audience will perceive the subject and story than the subject themselves. shindo life kenjutsu blade id; metaphors to describe a bedroom; piropos con frutas para mujeres; david goggins father trunnis; carta para mi novio que desconfia de mi; lion attack in dream islam. Although there is noticeably moments in the film that steer towards the interviewer, interviewee style of interaction, the communication between Watson and his subjects can certainly be seen as intimate and personal. On the one hand, Paul Watson did get these peoples consent to be filmed. I would have to answer that most likely, rhetorical question, by saying yes! Anyway, audiences (including us) will always question whether a subject who is having their whole life pried open for viewing could be a victim of exploitation. But I find he violated the rules of documentary as he did interfere with the subjects and pushed them to an extent that made them fall back. Most Popular Now | 56,514 people are reading stories on the site right now. WebFor Newsnight's alcohol special, filmmaker Paul Watson revisits some of the people from his documentary Rain in my Heart. In one scene we hear Watson as whether or not the information he is receiving from one of the subjects would be appropriate to include in the finished product. To watch this sequence of Watson, truthfully revealing his professional flaw, for me, was quite humbling. This means as subjects they must think the documentary will help. He faced their situations with the most possible respect. Im thinking of the massacre set to Bach, of the march over the horizon to Israel, and of the justly infamous shower scene. But all of these elements and attitudes of the filmmaker were performed in order to achieve a result of what alcoholism really is and of how serious and dangerous its consequences can be. WEEK 4 QUESTION:Are there moments when you feel that Paul Watson has exploited his subjects in this film? I felt that already Watson was too close to his subjects to represent them how he originally intended to. He witnessed some horrific scenes throughout filming and only once (that I can recall) did he step in to hand Mark a sick bucket and express disappointment to Venda for her choosing to buy a bottle of vodka. The Facebook link I posted was created by Nigels son. I felt that he definitely uses their trust, but in a good way, he seemed to be a friend for most of them and wanted to change or improve their lives.

The intrusion before we learn of sexual abuse is fitting because it prepares us for the horrible, rather than let the scene with Vanda play out suddenly for shock value. Vanda, 43, has been drinking since the age of 12. Jump to Media Player. Paul Watson also states in the article, in reference to Nigel, that when I heard he would die, I admit, I thought thats going to make great telly. In Rain in my Heart she is living in a council flat. Websan bruno golf center closing; what is charli d'amelio's favorite dog name; Products Open menu. This in essence in the subject saying that they are feeling exploited by the filmmaker and the documentary project. He says My job is to explain, not entertain. Hes film is an observational style and he stand back from the nature, but he needed to concern how he react when he encounter with ethincal problem. The reason for all this was to make people aware about the phenomenon of alcoholism and surely not for attracting more audience. At this point, i would say, at least, it demonstrates the serious damage of alcoholism to many people like me, especially for teengers. One of the last images we see of Nicole is her hooked up to tubes fighting for her life. It is clear to me throughout, both when talking to his subjects and when talking to the camera itself that he becomes both emotionally involved and also continuously checks that he is keeping to his promises. It is true that Watson recorded all of what the people he met were saying, even the most intimate and private details of their existence. I think theyre happy for the attention, to have someone to listen. I also believe Watson tried his best to tackle these accusations, baring in mind that overdoing it throughout the documentary could appear to undermine the actual traumas of the patients and their families. Webcannon falls shooting; rain in my heart documentary mark died. There was Nigel, in his late 50s or early But if some of us dont record it, no one else will learn about it. During the film one of the subjects Mark says If I am not a advert for not drinking then I dont know what is. All the footage that was quite hard to watch did, however, make the film much more real for me. He made this film to show people about the effects of alcoholism, and I think he achieved his goal. Of the four, two die whilst in I feel sympathy towards the subjects because they were, maybe, unsure as to what they had agreed to, and what it involved. Other examples are when he continuing to film Nigels wife as she said goodbye to her dying husband in the hospital and when Vanda told a deep secret about the reason she became an alcoholic. Change), You are commenting using your Twitter account. WebRain in my Heart (Full). After all, I am satisfied by what Watson did to deal with accusations. I think that Rain in My Heart. Tonis most exploitative scene, as I believe, is when she is shown unconscious a few days before her death.

It is hard to be objective about this film because it is so easily relatable to me, I live equidistant from Medway hospital and Maidstone hospital, and most people avoid Medway because of its reputation. Susan Hawk (born August 17, 1961 in Waukesha, Wisconsin) is a truck driver who notoriously competed in Survivor: Borneo (2000) and Survivor: All-Stars (2004). It seems much so that Paul Watson is very much clear of his role within his observational style of filmmaking in his documentaries. Overall I felt as if Paul Watson didnt exploit his subjects, they all consented to being observed and he used that to create a telling and shocking encounter with those suffering from alcoholism. During the documentary, Mark (one of Watsons subjects, aged 29) states that he agreed to do filming for Paul to show people why they should not drink alcohol. However, Watson once again denies accusations of exploitation for when he arrives at Vandas to see the door open and clarifies his reason for waiting by stating of course you wait, you dont just go in and more importantly, when the action begins to unfold with a drunken Vanda, Watson says that he must regain his job as someone there to just film what they do to their selves and reassures her that when she begins to talk delicately about her abusive past, that he will not use this footage in the future if she does not want to. Rain In My Heart is a very powerful documentary which gives us all-round access to the issue of alcoholism with a key focus on four of its sufferers. Four alcoholics in and out of hospital over a two month period, reality at its most real. However, I dont think you should abuse the power and trust given by the four patients. This is just one example of the reaction that Watsons Rain in My Heart provoked; Not something that is watched and easily forgotten about. I can see why he added this into the film but I think it did effect the overall tone and flow of the documentary. That is something which I felt could have been left out, as it only showed her weak points and did not help in the documentaries focus on her alcohol problem.

Paul Watson was capturing the real lives of these alcoholics, he was not interfering with their actions and allowed alcoholics who were told if they drink anymore they could die, to drink. Whats exploitation? When he asked Toni to call and talk to his family, for example. Watson intrudes on his film, importantly (and rather unromantically, when we consider the idea of immersive movie magic) shows him forging all the social contracts with his subjects at the start. Kath now struggles on a severely limited income. I wanted to look away and the only reason I didnt was because I felt (as i think Watson does) an obligation to make a point of the four subjects publicized suffering. However, I would not say these intimacies are exploitative of the sincere as they are constantly asked for permission as to what Watson is filming is ok by them. I remember feeling genuinely scared that some of the subjects were going to die: such as when Mark was at home and was continuing to drink in excess and constantly vomiting. He puts himself in the film to explain how he felt at the time, allowing the audience to be involved in his own personal emotions whilst watching his film. Here I refer to when he would talk to the viewer/camera about how he felt at certain points of the film it drew away from the importance of what he should have really been filming and instead became self indulgent within the context. As with his other films, Watson established a relationship with the subjects during filming. The subject was in a particularly vulnerable state and he took advantage of that and filmed her confession. I personally feel as though Watson did not exploit his subjects as they all gave informed consent when they were sober and in hospital, under the supervision of healthcare professionals who could determine whether they were of sound mind, however this issue can be questioned at some points. It quotes how Vanda told Paul Youre asking me while Im pickled in reference to his questions, as well as youre manipulating me. But Ive never felt like Watson exploited his subjects. Rain in My Heart over steps the line between subject and film-maker relationship and Paul Watson in the end exploits his subjects. I think that I am pretty satisfied with his attempts of dealing with the subject of alcoholism, he has shown a shocking but well-needed documentary to educate all kinds of audiences the effects of alcohol. To illustrate, each of the documentary objects have had their own monsters in their heads, to my mind, they are in a sense weak or have a big weakness- alcohol, therefore Pauls use of characters (Vandas) confession about her monsters or at the same time the reasons why she might be came to drinking helps not only the filmmaker but us in getting closer to this unfamiliar woman and her story. Watson is not overly invasive at any point, and if anything my only criticism would be that he sometimes gives too much insight into how he feels about what is happening during filming, which I find unnecessary. Change). However, although Watson reveals his inner moral debates, it does not stop him using his observational and interview style to get footage and shots that exploit the subjects. This is a scene which perhaps does challenge the idea of ethics by posing the question of how FAR can we go to observe? We as a audience get to see his family grieving him when he dies and more importantly we see his wife looking after him when he is in his worst state and also coping with his departure. So all these people dont mind being shown in their most vulnerable state on national TV and even Watson at times ask the subjects if they would like him to turn the camera off. For before the revealing of the alcohol, Watson greets Vanda by pecking her on the mouth and cheek. In all of these I recognise issues which could be perceived as exploitative. Therefore, i dont feel uncomfortable for his attempts within the film. I feel he mistakes this forced friendliness by asking more and more personal questions as he continues to film her. The question of the ethics of filmmaking is clearly something that is troubling to Watson. Ive found this good review of the film on the internet: http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1661761/. I found a video called, Revisiting Rain in My Heart, in which Paul Watson revisits the surviving subjects from the film. Mark is being exploited towards the end of the film when he goes crazy and starts crying, screaming, vomiting etc. Are you satisfied by his attempts within the film to deal with such accusations? Whats offensive? Watson himself has said that he received criticism for not helping his subjects; this could be an argument of him exploiting his subjects. It follows 4 alcoholics from the hospital to their homes. In The Cove (2009) we needed to see how they got the cameras where they did, but in this film I felt that Watson should have left his comments for the bonus DVD.

Overall, I believe that it is good to make the public known about situations like these, especially when it can have an impact on your image of alcohol. The latest edition of BBC Two's Newsnight with its daily analysis of news and current affairs.

At points during the documentary we can see that Watson is clearly affected by watching the subjects drinking habit, however he does mention that this observational style of filming and the stand back nature of it is much more achievable through separating ones own personal attitudes from the subject.

After drinking heavily, people are definitely not in a normal status, which lead to a question that in what situation Paul Watson get the consent from these alcoholics. Maybe the subjects are letting Watson film them like this as a message to say this is a life you dont want to live and in saying that does Watsons exploiting of the subjects send a bigger message that in turn may help people going through the same things. When he asks of her troubled past, he is very interrogative as he continues to ask until she is brought to tears by the discussion of her brothers death, but rather than stop, he pushes on.

Explaining hell it is. Watsons past experience in using the observational documentary style in his films means that he is well adjusted to the style.

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NAVIGATION The person who created this page shares thoughts of sympathy for Tonis family (who died during filming) and Vandas family who consequently died after filming. Newsnight Review. Watson stated at the very beginning of the film that he would not intervene in the lives of the people he was filming and would not stop them from drinking if they relapsed. It is true that there are not many cut ins of his own questioning however Watson thought it be inappropriate to constantly show his own personal struggles when his subjects are undergoing way more traumatic psychological illnesses. Overall, I do not feel that Paul Watson has exploited the subjects in his film. Nonetheless, I think that Paul Watsons work is justifiable and I do not consider him to be selfish. This shows how relationships are built up when filmmaking and how subjects and even the interviewer forms attachments.

rain in my heart documentary mark died. I was completely satisfied with his attempts to deal with accusations of taking advantage of their vulnerabilities throughout the film. One particular scene is the funeral of Nigel, a man who lost his life due to the addiction. I felt it did a fantastic job in warning people of the dangers of alcohol and addiction. Rain In My Heart is a 2006 documentary about alcoholism. It deals with a very sensitive issue that affects everyone from viewer to the family of the alcoholics that were taking part in the film.

If we are to look at films that exploit horrors/suffering then we must idenfity the certain aesthetics and language that are used to do this. As a viewer, it was uncomfortable to watch Watson try and stay professional. This is seen in the film when Watson is speaking to one of the patients, Vanda, one of the few who agreed to, as Watson describes it; let him intrude into filming their hell. Watson explains to Vanda, whilst she is still a patient in hospital, that when he comes to interview her again at her house he will not be able to help her, he will take a spectator approach.

Documentary Documentary on four alcoholics living in Kent, England.